Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
Cate Blanchett may be one of the few actors who could hold together a movie that’s part farce, part intervention, part melodrama and always entertaining.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
The Asheville Movie Guys head to China for a discussion of Lulu Wang’s sophomore feature.
This shuffling, low-key Southern comedy is a joy and palate cleanser, full of wit and wonderful performances.
Quentin Tarantino’s latest stunner makes expert use of modern cinema’s biggest stars in a landscape fitting of their talents and charisma.
Starring a textbook sharp Jesse Eisenberg, the well-made dark comedy is a difficult film to recommend.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
In Danny Boyle’s delightful Boomer fantasy, a struggling musician awakens to a world in which The Beatles don’t exist — and does his best to fill that absence.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.
Big laughs help compensate for unimaginative plotting in this entertaining sequel.
Just a few weeks after the pleasures of Long Shot comes another smart adult comedy, showcasing Emma Thompson and Mindy Kaling.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.
Another fine performance from Blythe Danner buoys this unchallenging movie about a dedicated survivalist (John Lithgow) looking for companionship.
Unapologetically frank and real, Olivia Wilde’s directorial debut is a comedic joyride.
Olivier Assayas’ returns to meditations on art, commerce, and flawed celebrities with a look at the Parisian publishing world.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
The misunderstood Emily Dickinson gets the revisionist history she deserves.
