Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Action
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Taika Waititi’s distinct blend of action and comedy works wonders in the fourth Thor film.
After a second trilogy of depressingly diminishing returns, it’s time for the dino series’ extinction.
Heart-pounding action sequences battle lackluster writing and performances in this uneven legacy sequel.
This messy sequel barely feels like a Sam Raimi film — until it goes full “Evil Dead 2”/”Drag Me To Hell.”
Robert Eggers’ viking epic feels like it couldn’t have been told any better.
The next great midnight movie is here.
The latest Ryan Reynolds/Shawn Levy collaboration is a busy mess with a few redeeming elements.
A decade after “The Dark Knight Rises,” it’s finally time to get excited about a new Batman again.
High-quality popcorn entertainment in the tradition of the “National Treasure” and “Pirates of the Caribbean” series.
One of the worst Liam Neeson “man with a particular set of skills" movies thus far.
The series’ alleged curtain call delivers plenty of big laughs, but runs out of steam without its usual amount of hidden-camera pranks.
This dopey espionage thriller wastes a talented cast and a decent premise.
Matthew Vaughn’s first mediocre film wastes a talented cast and a seemingly rich story.
Jon Watts’ best Spidey film yet is fan service done right.
Lana Wachowski & Co.’s screenplay crackles, but the filmmaking hampers its potential.
Jason Reitman carries on his family tradition with this thoroughly entertaining legacy sequel.
The latest MCU release plays more like a DCEU movie.
