Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Guy Ritchie and Jason Statham reunite for this grim yet thoroughly entertaining thriller.
Roy Andersson doles out 33 slice-of-life vignettes that carry significant individual and cumulative power.
This visually sumptuous and poetic portrait of elderly men who hunt for the culinary delicacy with trained dogs captures a disappearing quirk of Northern Italian culture.
There are no gimmicks or twists to be found here — just a straightforward terminal illness drama that allows genuine emotions to shine through in every interaction.
Traylor, a former slave, created an artistic legacy rediscovered in the 1980s by both the art world and the artist’s many descendants.
Ben Wheatley’s pandemic horror flick is just suspenseful enough to work, but feels hemmed in by COVID restrictions.
Neil Burger triumphantly returns to sci-fi with this intelligent, well-made thriller about a troubled space mission.
This Oscar nominee skewers everyone from celebrity artists to refugee advocates in its tale of a Syrian man who is turned into an art object.
Bob Odenkirk proves a terrific action star in this inspired pairing of the “John Wick” writer and the director of “Hardcore Henry.”
The Asheville Movie Guys dissect this year’s non-fiction finalists.
A college student’s numerous dramas conveniently converge in this brief but punishing dark comedy.
The Asheville Movie Guys break down this year’s batch of finalists.
The strong batch of five finalists is made even stronger by the inclusion of three runners-up that may have merited their own nominations.
Josh McCormack and Edwin Arnaudin discuss the latest clash of the titans.
This documentary about Pope Francis elucidates his struggle to bend the world to goodness in areas from climate to tolerance — and admits few flaws.
The ultimate vanity project, this four-hour endurance test is the work of a director so lost in his personal interests that the level of egotism would be impressive if the film itself wasn’t so poorly made.
This fact-based U.K. twist on “Bridge of Spies” finds Benedict Cumberbatch in his best role since “The Imitation Game.”
This doc addresses a central Asheville aesthetic — the history of the Arts + Crafts movement — and includes a local expert.
Nominated for six Oscars, this Anthony Hopkins vehicle puts you inside the experience of a older man with growing dementia.
The Russo brothers reunite with Tom Holland in this Frankenstein’s monster of well-worn genres with little new to say about any of them.
