Though well-made and plenty tense, this Australian horror/thriller may have missed its calling as a short film.
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All in Horror
Though well-made and plenty tense, this Australian horror/thriller may have missed its calling as a short film.
Kevin Bacon can’t save his toothless thriller from the formerly reliable David Koepp..
Leigh Whannell’s latest winner is heavy on quality suspense and scares, but light on character development and logic.
The “Goodnight Mommy” team returns with another top-notch psychological thriller.
The horror sequel follows the winning formula of its creepy predecessor, then contradicts itself in the name of mythology.
Creepy visuals and Alice Krige’s frightening performance aren’t enough to buoy Osgood Perkins’ Grimm adaptation.
A baffling, full-stop ending mars this otherwise promising Henry James adaptation.
The shockingly dull combination of Nicolas Cage, Richard Stanley, and H.P. Lovecraft is an almost complete failure.
The latest “Alien” rip-off has more in common with the “47 Meters Down” series than Ellen Ripley.
If any horror film characters deserve to die gruesome deaths, it’s these idiots.
This sequel to “The Shining” utilizes fine craftsmanship to blend of elements from Stephen King and Stanley Kubrick into a satisfying tale of supernatural suspense.
Robert Eggers’ follow-up to The Lighthouse is one of the year’s most unpleasant viewing experiences.
Is Chapter Two better than It or worse? The Asheville Movie Guys come down on opposite sides of the question.
The adaptation of the beloved horror books delivers surprisingly strong terror within a PG-13 framework.
You have to respect horror B-movie producer-director Alexandre Aja’s steadfast devotion to his absurd killer alligator story.
Ari Aster’s masterful follow-up to Hereditary wisely favors dread over cheap horror scares.
The third film in the lousy creepy doll series is overrun with human ineptitude and all but absent of scares.
The near complete overhaul of the killer doll series works better as a concept than an actual film.
Jim Jarmusch’s delightfully deadpan zombie movie makes excellent use of a talented ensemble cast.