Whether you remember her at her peak or not, you’ll be amazed that someone could have had her career and connections.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Whether you remember her at her peak or not, you’ll be amazed that someone could have had her career and connections.
Comparisons to the fact-based crime sagas by Martin Scorsese are...let's be nice and say “unfounded.”
Is Chapter Two better than It or worse? The Asheville Movie Guys come down on opposite sides of the question.
Julius Onah’s cinematic retelling of J.C. Lee’s play Luce is a stage-to-screen adaptation nearly on the level of Doubt and Rabbit Hole.
Jillian Bell’s outstanding performance is undermined by simplistic presentations of running and weight loss.
The movie's grand revelations are worthy of a whole season of any prime-time soap.
The documentary is a harrowing look at the past and a rallying cry for the present and future.
Though visually-stunning, the documentary about Macedonian wild beekeeper Hatidze Muratova is a tough sit.
An overachieving opening hour gives way to cliché-filled drudgery in this supernatural thriller.
The latest installment in the Mike Banning Trilogy is also its best — which still isn’t saying much and also didn’t take a lot to accomplish.
Jennifer Kent follows up The Babadook with this nasty little rape revenge tale.
Sometimes too silly for its own good, the raunchy tween-centric nonetheless delivers big laughs.
If Clue crossed with Happy Death Day seems like a good blend to you, Ready or Not will keep you amused and grossed out.
Set in the Outer Banks, this odd couple buddy comedy is undermined by a rushed final act.
The Springsteen-centric coming-of-age film isn’t quite on par with its summer 2019 classic rock cousins.
Cate Blanchett may be one of the few actors who could hold together a movie that’s part farce, part intervention, part melodrama and always entertaining.
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
It’s an engaging and well made movie, despite living in “Movie of the Week” territory, in this case taking on “our broken justice system.”
The adaptation of the beloved dog novel sidesteps potential sappiness with honest, emotional storytelling, plus characters easy to care about and difficult to leave.
The adaptation of the beloved horror books delivers surprisingly strong terror within a PG-13 framework.
