Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Christian Petzold (Phoenix) returns with another rich drama that simultaneously speaks to the past and present.
A young Jewish woman in Mexico City defies her family by beginning a romance with a non-Jewish man.
In near perfect tandem with a comedically committed Matthew McConaughey, Harmony Korine rebounds spectacularly from the ineptitude of Spring Breakers.
Alan Arkin’s character best sums up Tim Burton’s latest film: “Wow, that was a disaster!”
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
The international horror anthology is a decidedly mixed bag with only a few worthwhile entries.
Michael Winterbottom further diversifies his directorial portfolio with this finely-crafted, India-set thriller.
With a former “Late Show” writer serving as our guide, the lost world of industrial musicals gets the documentary treatment.
Halldóra Geirharðsdóttir excels in dual roles in this quirky Icelandic eco-thriller.
The combination of Hal Linden and creative animation elevates this movie above its predicable screenplay.
Claus Räfle’s drama blurs narrative and documentary lines to creatively tell a lesser-known aspect of the Holocaust.
The Asheville Movie Guys have a spoilerific discussion of Jordan Peele’s new horror head trip.
Sebastián Lelio’s faithful English-language remake of his 2013 breakthrough Gloria improves on the original.
The tension quickly dials up and remains high to the end in this latest family-focused horror film from Jordan Peele (Get Out).
Bruno Ganz plays Sigmund Freud in the opener for the 2019 Asheville Jewish Film Festival.
The director-less animated adventure is progressive, entertaining, and surprisingly dark.
Young people with cystic fibrosis deserve a better movie love story. And a better hospital.
Lurking within the mess of Rupert Wyatt’s follow-up to The Gambler is an exciting sci-fi short film.
Gaspar Noé’s latest risk-taker is a wonder to behold, though a bit patience-testing and possibly pointless.
