John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Thriller
John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
By focusing on Sicario’s action-oriented elements and hardened characters, its entertaining sequel plays like a tenderloin slice of the initial chapter.
The Asheville Movie Guys discuss whether Ari Aster’s acclaimed horror debut is the real deal or another false genre prophet.
Leigh Whannell skillfully builds on his horror background in this inventive, genre-embracing techno-thriller.
A look back at last weekend's new releases, which may prove to be the overall worst batch of 2018.
The Asheville Movie Guys switch to sign language and discuss Emily Blunt and John Krasinski in the latter's new thriller.
The Asheville Movie Guys take to the halls of a shady mental institution with Claire Foy in Steven Soderbergh's iPhone-shot thriller.
The Asheville Movie Guys dust off their Russian accents and play spy games with Jennifer Lawrence and a star-studded supporting cast.
Diane Kruger justifies her Cannes Best Actress win in a performance that takes her across a trio of genres.
The curiosity of Clint Eastwood using real-life heroes to reenact their brave exploits makes for a generally compelling view, but is let down by a script that asks too much from its amateur performers.
Norwegian filmmaker Joachim Trier makes an entertaining detour with this psychological thriller of a college student with unusual powers.
Denzel Washington and Dan Gilroy (Nightcrawler) join forces to terrific ends in this character-driven legal gem.
The Asheville Movie Guys report back from their Norwegian holiday with Michael Fassbender, Rebecca Ferguson and J.K. Simmons.
A terrific Michael Keaton fails to get much support from his co-stars and crew in this uneven adaptation of Vince Flynn's popular spy novel.
The Safdie brothers establish themselves as filmmakers to watch in this promising but uneven look at — appropriately enough — male siblings in a tight spot.
Stephen King's beloved novel translates poorly to the screen – and Matthew McConaughey is largely to blame.
Colin Trevorrow's return to indie filmmaking between Jurassic World and Star Wars installments is a mixed bag.