Jennifer Garner’s return to action hero work is undermined by cheap bloodlust.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
Jennifer Garner’s return to action hero work is undermined by cheap bloodlust.
The minds behind the latest Conjuring spin-off have no clue what to do with a promising horror set-up.
The director of Harry and Snowman turns his attention to a Camden, S.C. couple’s canine rescue efforts.
Not even Bill Nighy can save this faux Anglophilic charmer from its boring fate.
John Chu and a lack of the supernatural ensure a better screen-based experience than Unfriended, but limitations remain rampant.
The dramatization of Mossad’s operation to bring Adolph Eichmann to justice is a tame addition to the Nazi-hunting subgenre.
Rose Byrne and Ethan Hawke are thoroughly charming in one of the more mature and honest looks at romance in recent cinema.
Kelly Macdonald and Irrfan Khan are their usual likable selves in the service of Marc Turtletaub’s surprisingly complex jigsaw-centered dramedy.
The first of the fall’s two gay conversion therapy camp dramas is compelling yet predictable.
The late great fashion designer’s life and work are eloquently presented in this entertaining, informative documentary.
This pointless remake of the McQueen/Hoffman classic continually raises the reason for its existence.
The fourth Peter Berg and Mark Wahlberg collaboration lacks the humane fact-based stakes of their prior films, but still delivers plenty of action-packed entertainment.
The Asheville Movie Guys tag along to Singapore for a wild wedding week with an under-represented cast.
Much like Dwayne Johnson’s Skyscraper, The Meg make mindless entertaining use of Jason Statham’s dumb charms.
The Asheville Movie Guys infiltrate a local movie theater and report back on Spike Lee’s new film.
The interconnected vignettes of Ken Marino’s canine ensemble comedy are funny, family-friendly and not-so-secretly adult.
Kate McKinnon and Mila Kunis are hilarious in the summer’s superior espionage movie.
This reheated bowl of dystopian young adult clichés is best left unsampled.
Elsie Fisher is perfect as a young woman navigating her final week of middle school in Bo Burnham’s promising feature directorial debut.
The Asheville Movie Guys take their second trip to the Hundred Acre Wood in nine months.
