Ben Affleck, Ana de Armas, and a talented supporting cast embarrass themselves in Adrian Lyne’s ludicrous thriller.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Literary adaptation
Ben Affleck, Ana de Armas, and a talented supporting cast embarrass themselves in Adrian Lyne’s ludicrous thriller.
Kogonada’s soulful follow-up to “Columbus” explores love and humanity in unexpected places.
This accidental YA parody hints at intentional farce, yet takes itself far too seriously.
Guillermo del Toro star-studded noir starts slow but finishes strong.
Ridley Scott’s second film of 2021 is a mix of compelling performances, lush visuals, and spotty writing.
Scott Cooper’s hard-nosed style translates well to this dark, gritty tale of folkloric horror.
Denis Villeneuve & Co. take their time with this visually stunning adaptation that’s very much a Part One.
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
That rascal David Lowery has finally made a great film.
The Asheville Movies Guys discuss M. Night Shyamalan’s new thriller.
Taylor Sheridan’s wilderness-set thriller is his second misguided writing collaboration of 2021.
The Asheville Movie Guys discuss Joe Wright’s star-studded thriller.
The Russo brothers reunite with Tom Holland in this Frankenstein’s monster of well-worn genres with little new to say about any of them.
Tom Holland and Daisy Ridley struggle under Doug Liman’s direction in this sci-fi dud.
The Asheville Movie Guys discuss Chloé Zhao’s critical and awards season darling.
The Asheville Movie Guys discuss the new fact-based period drama starring Carey Mulligan and Ralph Fiennes.
George Clooney gets back on track as a filmmaker with help from an appealing ensemble and slick special effects.
The Asheville Movie Guys discuss Ron Howard’s adaptation of J.D. Vance’s best-selling memoir.
Diane Lane and Kevin Costner reunite in this well-written and acted thriller.
Anne Hathaway embarrasses herself early and often in Robert Zemeckis’ uninspired Roald Dahl adaptation.
