True to form, the year’s most joyful film is practically perfect in every way.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Comedy
True to form, the year’s most joyful film is practically perfect in every way.
If you’re going to make a costume drama in 2018, you might as well make it weird.
Ike Barinholtz takes a plausible, Purge-like premise of governmental overreach and filters it through unappealing, ultimately toothless means.
Tom Hardy shows off an appealing, awkward comic side in this charmingly weird comic book flick.
The year of films about real-life art heists rolls on with this seriocomic look at the 1985 looting of Mexico City’s National Anthropology Museum.
Tiffany Haddish, Kevin Hart and an appealing supporting cast have contagious fun in this predictable comedy.
Eli Roth pivots from gory to Gorey (of the Edward variety) and fares nearly as poorly.
Dan Fogelman’s star-studded dramedy is a disaster so dedicated to its failed approach that the consistency results in its own form of must-see entertainment.
Shane Black’s irreverent sci-fi action/comedy is welcome entertainment after the past few weeks of dull studio fare.
With major help from Anna Kendrick, Blake Lively and screenwriter Jessica Sharzer, Paul Feig directs his first quality film since Bridesmaids.
Rose Byrne and Ethan Hawke are thoroughly charming in one of the more mature and honest looks at romance in recent cinema.
Kelly Macdonald and Irrfan Khan are their usual likable selves in the service of Marc Turtletaub’s surprisingly complex jigsaw-centered dramedy.
The Asheville Movie Guys tag along to Singapore for a wild wedding week with an under-represented cast.
The Asheville Movie Guys infiltrate a local movie theater and report back on Spike Lee’s new film.
The interconnected vignettes of Ken Marino’s canine ensemble comedy are funny, family-friendly and not-so-secretly adult.
Kate McKinnon and Mila Kunis are hilarious in the summer’s superior espionage movie.
Elsie Fisher is perfect as a young woman navigating her final week of middle school in Bo Burnham’s promising feature directorial debut.
The Asheville Movie Guys take their second trip to the Hundred Acre Wood in nine months.
The summer’s second exploration of modern-day Oakland is a stunning glimpse at friendship threatened by outside forces.