This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
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All in Action
This crime flick seems to think it’s a dark comedy but it just comes across as confused and inconsistent.
David Leitch gifts the series its crispest visuals and most ambitious stunts thus far, but the spin-off remains a big, dumb Fast & Furious movie.
Stuber’s lead actors are talented and appealing, but they’re trapped in a poorly thought out, sloppily executed movie that does them no favors.
You have to respect horror B-movie producer-director Alexandre Aja’s steadfast devotion to his absurd killer alligator story.
Just two films in, is the new Spider-Man series one of the best solo superhero sagas Marvel has yet to produce?
Following the twists and turns of this female assassin flick is moderately interesting if you don’t think too much about the absurdity of the body count.
F. Gary Gray’s clustercuss of a sequel is one of the year’s worst films.
Big laughs help compensate for unimaginative plotting in this entertaining sequel.
Like super-powered mutants, the Asheville Movie Guys land on opposite sides and face off over this maybe-final installment in the X-Men series.
Welcome to 130 minutes of ear-splitting boredom and feeling sad for really good actors in a really bad movie.
The Asheville Movie Guys crash-land in Kansas with an evil Superman. What could possibly go wrong?
Back for another taste of the old ultra-violence, Keanu Reeves adds to the legacy of what could be his best character — or at least his most fitting.
For viewers agnostic about Pokémon, this dopey, laugh-free “mystery” might be the year’s worst film.
The Asheville Movie Guys discuss the culminating film of the current MCU era.
Contrary to popular opinion, the R-rated reboot is a humorous, action-packed blast of entertainment.
Is there a moral justification for making a film that recounts a terrorist assault in bloody detail?
The Asheville Movie Guys flash back to the ‘90s to discuss Brie Larson’s lead MCU turn.