Much like Dwayne Johnson’s Skyscraper, The Meg make mindless entertaining use of Jason Statham’s dumb charms.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Adventure
Much like Dwayne Johnson’s Skyscraper, The Meg make mindless entertaining use of Jason Statham’s dumb charms.
This reheated bowl of dystopian young adult clichés is best left unsampled.
The Asheville Movie Guys choose to accept a sixth mission with Ethan Hunt & Co., but may live to regret that decision.
The Asheville Movie Guys agree that duos are better than individuals — oh, and also discuss the new Ant-Man movie.
The Asheville Movie Guys return to Isla Nublar and see if the T-Rex will save the day a fifth time.
Despite strong pre-disaster chemistry from Shailene Woodley and Sam Claflin, Baltasar Kormákur’s latest fact-based man vs. nature film becomes Yet Another Lifeboat Movie.
The Asheville Movie Guys see if they can make the Kessel Run in less than twelve parsecs.
The Asheville Movie Guys combine their super powers and senses of humor to battle the MCU’s ensemble extravaganza.
The Asheville Movie Guys select their avatars and enter the OASIS to geek out with Steven Spielberg's new CG-heavy adventure.
The Asheville Movie Guys regret tagging along with a miscast Alicia Vikander on her video game adventure and recommend some recent releases to see instead.
The Asheville Movie Guys escape the heaviness of Oscar season with a double dose of froth and ponder whether 2018 is The Year of the Train.
Despite its quizzical existence, the fun, goofy comedic adventure is basically a PG-13 analog for the R-rated Jump Street movies.
May the Force be with the Asheville Movie Guys as they fire up their lightsabers and discuss Rian Johnson's jambalaya of cute gags, self-doubting heroes and disconnected action sequences.
The Asheville Movie Guys gear up and trek into the forest to battle wild blazes alongside Josh Brolin, Miles Teller and Taylor Kitsch.
The Asheville Movie Guys debate the merits of Luc Besson's return to zippy sci-fi.
The third in the rebooted Apes series carries over many admirable qualities of its predecessors, though the absence of those films' screenwriters is sadly evident.
Universal's Dark Universe franchise non-starter is a lesson in ineptitude and Tom Cruise’s sadly fading stardom.