Quick takes on four recent mainstream titles.
Your guide to Asheville's vibrant and diverse movie offerings.
Your guide to Asheville's vibrant and diverse movie offerings.
All in Sci-fi
Quick takes on four recent mainstream titles.
A huge step back from the excellent Part One, this sloppy follow-up barely feels like a Denis Villeneuve film.
This prequel is the best film in the series — but that’s still not saying much.
Gareth Edwards’ sci-fi epic lacks the content to match its technical elements.
Wes Anderson sticks the landing on his most ambitious narrative yet.
Ben Affleck and Robert Rodriguez achieve new career lows with this astonishing failure.
Brandon Cronenberg’s latest mindf*#& is visually creative but narratively messy.
Like its predecessor, James Cameron’s return to Pandora isn’t a movie — it’s a technology showcase.
Short takes on “Fire of Love,” “Prey,” “Marcel the Shell with Shoes On,” “The Gray Man,” “RRR,” “Vengeance,” and “Mrs. Harris Goes to Paris.”
Jordan Peele’s latest winner adds a command of spectacle to his already impressive filmmaker toolbox.
David Cronenberg’s latest body horror film is merely weird for weird’s sake.
The latest Ryan Reynolds/Shawn Levy collaboration is a busy mess with a few redeeming elements.
Kogonada’s soulful follow-up to “Columbus” explores love and humanity in unexpected places.
Lana Wachowski & Co.’s screenplay crackles, but the filmmaking hampers its potential.
Denis Villeneuve & Co. take their time with this visually stunning adaptation that’s very much a Part One.
Reviews of new films from Stephen Daldry, Chase Palmer, and Neill Blomkamp.
